{"id":17064,"date":"2021-12-30T10:35:17","date_gmt":"2021-12-30T10:35:17","guid":{"rendered":"https:\/\/blog.rotavicentina.com\/?p=17064"},"modified":"2022-10-05T16:02:09","modified_gmt":"2022-10-05T16:02:09","slug":"touro-azul-in-die-zeit","status":"publish","type":"post","link":"https:\/\/blog.rotavicentina.com\/en\/touro-azul-in-die-zeit\/","title":{"rendered":"\ud83c\uddec\ud83c\udde7 \ud83c\udde9\ud83c\uddea &#8220;Touro Azul&#8221; in the Die Zeit"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<strong>\ud83c\uddec\ud83c\udde7 \ud83c\udde9\ud83c\uddea This article is also available in German. You can change the language in <\/strong><strong>the blog menu&#8217;s tool.<\/strong>[\/vc_column_text][vc_column_text]The article by Lisa Frieda Cossham was published in the 2021 3rd edition of the German weekly Die Zeit, as a result of the Autumn 2020 Press Trip promoted by Algarve Tourism Bureau, which included Rota Vicentina and the cultural program <a href=\"https:\/\/rotavicentina.com\/en\/touroazul\/\">Touro Azul<\/a>.<\/p>\n<p>In this interview with choreographer Madalena Vitorino it is possible to discover a little more about the cultural movements along this coast, &#8220;opening the way through art, the art of life in this case&#8221;<\/p>\n<p>[\/vc_column_text][vc_btn link=&#8221;url:https%3A%2F%2Fwww.zeit.de%2Fzustimmung%3Furl%3Dhttps%253A%252F%252Fwww.zeit.de%252F2021%252F03%252Fportugal-costa-vicentina-reisen-madalena-victorino-touro-azul&#8221; id=&#8221;q76l05zp1&#8243; icon=&#8221;icon-arrow-blog&#8221;]You can read the full article here.[\/vc_btn][vc_single_image media=&#8221;16252&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.zeit.de%2Fzustimmung%3Furl%3Dhttps%253A%252F%252Fwww.zeit.de%252F2021%252F03%252Fportugal-costa-vicentina-reisen-madalena-victorino-touro-azul|target:_blank&#8221;][\/vc_single_image][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Article by Lisa Frieda Cossham, published in the 2021 3rd edition of the German weekly Die Zeit.<\/p>\n","protected":false},"author":1,"featured_media":17585,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[122],"tags":[163,161,162],"tipos":[134],"destaques":[138],"acf":[],"_links":{"self":[{"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/posts\/17064"}],"collection":[{"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/comments?post=17064"}],"version-history":[{"count":7,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/posts\/17064\/revisions"}],"predecessor-version":[{"id":17595,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/posts\/17064\/revisions\/17595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/media\/17585"}],"wp:attachment":[{"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/media?parent=17064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/categories?post=17064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/tags?post=17064"},{"taxonomy":"tipos","embeddable":true,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/tipos?post=17064"},{"taxonomy":"destaques","embeddable":true,"href":"https:\/\/blog.rotavicentina.com\/en\/wp-json\/wp\/v2\/destaques?post=17064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}